Everyone in Entertainment Is Using AI.
They just can’t talk about it.
CUT TO:
FADE IN:
SMASH CUT:
MATCH CUT TO:
INT. WRITER’S ROOM – LATE NIGHT
MIA sits over a messy desk, redrafting the final scene of a pilot.
She highlights a monologue, opens a cloud AI tab, and pastes it in.
Prompt:
“Make this stronger and keep the tone.”
She waits.
The AI suggests lines that feel uncomfortably close to her show’s core twist.
She scrolls. At the bottom, small text:
“Your content may be used to improve future AI systems.”
A beat.
She closes the tab.
V.O.
“Writers need help — not another place for their stories to end up.”
INT. TALENT AGENCY – AFTERNOON
DAVID reviews an invoice from last month’s cloud-AI usage.
The number is huge.
Turns out someone on his team used AI to draft pitches… and every request billed against the same shared credit card.
He sighs, grabs his head.
Predictable budgets? Gone.
Cost caps? None.
No way to control how his team uses AI.
V.O.
“Agents need speed — without surprise bills.”
INT. CASTING OFFICE – MORNING
LIV flips through a new script for a series.
Auditions start tomorrow — but sides and breakdowns aren’t ready.
She drags the entire script into a cloud-based AI tool.
Prompt:
“Create breakdowns for all speaking roles.
Generate audition sides for tomorrow’s sessions.”
The model outputs everything quickly —
but it’s generic, poorly formatted, and doesn’t match the show’s style.
Then she notices a disclaimer:
"Uploaded documents may be reviewed to improve future AI systems."
She stops cold.
V.O.
“Casting needs tools designed around their workflow — not tools that repurpose their scripts.”
INT. EDIT SUITE – EVENING
JASON reviews a rough cut.
He tries a cloud AI to summarize scenes and suggest alt sequences.
The notes come back wildly off-tone — pulling references from other shows, not his.
He exhales, frustrated.
The model doesn’t understand his world.
He needs an assistant that knows the franchise.
Not the entire internet.
V.O.
“Editors need AI that learns the show — not replaces it.”
AI has quietly slipped into every corner of the entertainment industry.
Writers use it for rewrites. Agents for deal language. Casting for audition prep. Editors for shaping story.
But the tools they’re using weren’t built for this work. They send protected material to the cloud, misinterpret industry workflows, generate unpredictable costs, and learn from the very IP that studios are required to protect.
This is a look at four professionals — and the moment each one realizes they need something different. Something built for them.
Introducing U-Shinity.
CUT TO:
INT. STUDIO OFFICE – DAY
A single machine sits quietly on a desk:
the ASUS-powered U-Shinity unit.
No cloud.
No noise.
No disclaimers.
Just a private AI supercomputer built for the industry.
Screens appear showing:
• Local-only file processing
• Locked-in monthly compute cost
• Custom casting, writing, agent, and editorial tools
• One-click fine-tune on internal scripts, footage, deals
VO:
“One problem across four jobs. One system built to solve all of them. U-Shinity!!!”
